Enterprise 2.0 Conference Pass

I don’t normally cross-promote heavily across the multiple places I blog, but this one seemed worthwhile.

From my blog at Optaros.com: “Enterprise 2.0 Free Conference Pass”

At the upcoming Enterprise 2.0 conference in Boston this June, I will be moderating a panel on Open Source Platforms.

The panel will be Thursday, June 12th, at 8:30am.

Here’s the session description:

Community and collaboration pervade open source. It’s no surprise therefore that there are a number of open source platforms which are not only capable of delivering Enterprise 2.0, but are delivering it with innovation, flexibility, and agility. This session covers several, including (but not limited to) Alfresco, Drupal, and Ringside Networks.
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Clay Shirky on Cognitive Surplus

You may have seen my link to a transcript of this talk if you follow my ma.gnolia feed or johneckman.com.

Now (via LaughingSquid) you can watch the video. It’s Clay Shirky’s keynote at Web 2.0 Expo in San Francisco last week, on the “cognitive surplus” as a characteristic fueling mass collaboration.

Interestingly, this seems to break my facebook app. No longer resizes the iframe to the right size? Something is trying to call location.toString() and getting denied - my guess is that Blip.tv is trying to track where the video was embedded and facebook doesn’t allow apps inside iframes to access parent location.

You can see all the Web 2.0 Expo videos at Blip.tv or put this rss url into Miro and get a channel: http://web2expo.blip.tv/rss

ROFLCon day one: funny, but not insightful

One of the major challenges of any conference on humor is that there are different modes for humor and analysis and in many ways they conflict.

You can stay inside the humor, enjoy the meme, and celebrate the cultural profusion - which is pretty much what day one of ROFLCon was all about - or you can try to set a context, understand what is going on in the humor, and analyze what the memes tell us about the culture(s) from which they originate, the culture(s) in which they succeed or fail, flourish or thrive, or even about the nature of cultural transmission itself.

The hope of ROFLCon, for me, was always that it would bring together these two modes: bringing academic, critical analysis into the same space with Tron guy, the Mozilla fox, Cheez, and other meme-originating microcelebrities:

Mix up a bunch of super famous internet memes, some brainy academics, a big audience, dump them in Cambridge, MA and you’ve got ROFLCon.

Day one essentially was devoid of the analysis and critique part. Weinberger’s intro did provide some context and implied a potential critique (the motivation behind some kinds of cultural meme spreading being hateful, condescending, patronizing, etc), the panels on LOLCats and the mis-titled “Pwning for the good of mankind” got stuck inside the memes.

While the LOLCat panel was well moderated, and interesting, the level of analysis stopped at speculations about what “cat people” are like. The panel:

PANEL: LOLCATS: I CAN HAZ CASE STUDY?: How do you see the development of the LOLCat? What do you think people will think of the LOLCat when they look back in 30 years? (Room 34-101)

Moderator: Alexis Ohanian
Panelists: “Cheez” (I Can Has Cheezburger), Martin Grondin (LOLCat Bible), Ryan and Arija (LOLSecretz), Stephen Granades (LOLTrek), Adam Lindsay (LOLCode)

Lots of wonderful sites I love - LOLCode and the LOLCat Bible in particular are creative take offs on the original ICHC.

During the Pwning for Mankind panel:

PWNING FOR GOOD OF MANKIND: How did you start doing what you do? What motivated you to use internet culture against established forces? What allowed you to mobilize attention against the non-internet world? Did it happen unintentionally? (Room 34-101)

Moderator: Lana Swartz, Comparative Media Studies, MIT

Panelists: Dino Ignacio (Bert Is Evil), Leslie Hall (Gem Sweater), Justine Ezarik (iJustine), Ji Lee (Bubble Project), Eric Schoenborn (ACLU)

Unforunately, the only real evidence of social critique was provided by the ACLU representative who brought up net neutrality and the daily battles against censorship, political repression, and the elimination of privacy on which folks like the ACLU and the EFF focus. (Ok, maybe the Bubble Project’s agenda to limit outdoor advertising is a social critique, but it was only briefly discussed). I don’ really know the Gem Sweaters project, but she never broke character or tried to explain what it might be about, other than getting people to wear gem sweaters.

I think Tron guy’s funny too, and I am a tremendous fan of LOLCats, LOLDogs, and every other manifestation of the LOL meme. But I came to a conference not to just surf the web and laugh about the absurd, creative, wonderful, insipid, profound, politically repugnant, progressive, mess that is humor on the web.

I’m hoping day two will restore the balance a bit. Based on the schedule, there’s some good reason to hope. (Not that only formal academics can do critical analysis, but they’re more likely to have those chops than, say, iJustine or the Million Dollar Web Page guy.

Drupalcon Boston 2008

Looking forward to the upcoming Drupalcon:

Drupalcon Boston 2008 takes place from March 3, 2008 to March 6, 2008 at the Boston Convention and Expo Center. There will also be a Drupal Code Sprint on March 7 at the Stata Center at MIT in Cambridge.

Drupalcon is the twice-yearly gathering of Drupalers to learn about, discuss & advance Drupal, and to network with other Drupal community members. With sessions targeted at everyone from novice to expert attendees, Drupalcon is where you go to advance your understanding and use of Drupal.

Note: Deadline is Today, Feb 11th, for submitting proposals.
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Liveblogging Futures of Entertainment 2 - Metrics and Measurement Panel

Metrics and Measurement - 1-3:30

Panelists:

• Bruce Leichtman, Leichtman Research Group
• Stacey Lynn Schulman, Turner Broadcasting
• Maury Giles, GSD&M Idea City
• Jim Nail, Cymfony

Description:

As media companies have come to recognize the value of participatory audiences, they have searched for matrixes by which to measure engagement with their properties. A model based on impressions is giving way to new models which seek to account for the range of different ways consumers engage with entertainment content. But nobody is quite clear how you can “count” engaged consumers or how you can account for various forms and qualities of engagement. Over the past several years, a range of different companies have proposed alternative systems for measuring engagement. What are the strengths and limits of these competing models? What aspects of audience activity do they account for? What value do they place on different forms of engagement?

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Notes:
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