Future of Media, Video WTF
Two quick notes on media:
1. Paul Gillin: “The Future of Media is: Small, Aggregated, Inclusive, Community-driven, Conversational, Fast, Flexible, Experimental.”
2. New from the PCF: Video WTF?
Two quick notes on media:
1. Paul Gillin: “The Future of Media is: Small, Aggregated, Inclusive, Community-driven, Conversational, Fast, Flexible, Experimental.”
2. New from the PCF: Video WTF?
Given all the raging debate about paid media online – whether users (or consumers, if you prefer) will pay for access to content, whether paywalls and micropayments have a place, and the like – it’s refreshing to see an independent podcaster demonstrating the value of well curated content and the willingness of folks to pay for it.
Coverville is a podcast hosted by Brian Ibbott and recorded in his home near Denver, which features cover songs and the topic of covers generally. He does a fantastic job, hosting theme shows like originalville (in which he plays the original versions of songs people mostly know by a famous cover) and cover story (in which the whole episode is devoted to covers of and by a specific artist). Check out the Wikipedia entry on Coverville for a sense of how popular the show’s become.
On the “Future of Publishing” panel this morning at Media Bistro Circus in New York, Dan Costa asked the panel what advice they’d give to young graduates looking to come to New York and enter the field of journalism.
It reminded me of the scene in The Graduate where Dustin Hoffman’s uncle corners him and tells him “I got one word for you: plastics.” Except that now the new word would be something more like “audience” or maybe “brand.”
(Eileen Gittins of Blurb got the biggest laugh of the day with her answer – “marry well.” Ouch. I thought the days of “pre-wed” degrees were over – though to be fair she said that applied equally to male and female grads).
Anil Dash provided a bit of insight that “only the old folks are worried about this – young grads will get crappy jobs that pay poorly as young grads have always done.” True enough , but I’d argue the whole question is wrong.
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I’m a big fan and subscriber of Paste, an independent U.S.-based monthly (now shifting closer to bi-monthly, with every other issue being a single-topic special edition) magazine focused on music, film, and books, with a passionate spirit.
Currently, however, they are running a Campaign to Save Paste, soliciting donations to offset operating losses. What does the need for such campaign tell us about the future of online publishing?
In addition to the 2.0 release of the Times Reader, which also went live this week, the NY Times released Times Wire, another new user experience for consuming news from the NY Times.
While Times Reader focused on creating a desktop experience that had some of the richness of the print edition, this one is focused on the kind of rapid update stream of information made popular by Twitter, Facebook, FriendFeed, et al.
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